Ollantaytambo
The attractive little town of Ollantaytambo, at the foot of some spectacular Inca ruins and terraces, is built directly on top of the original Inca town, or Llacta. The Inca
canchas
(blocks of houses) are almost entirely intact and can be clearly seen. It's an impressive sight and one that shouldn't be missed, even though many people only visit the ruins above the town.
Ollantaytambo can be reached by bus from Cuzco, Urubamba and Chinchero. It is also one of the principal stations for catching the train to Machu Picchu; see page for details. You won't be allowed on the station unless you have previously bought a ticket for the train; the gates are locked and only those with tickets can enter.
Entering Ollantaytambo from Urubamba, the road is built along the long
Wall of 100 Niches
. Note the inclination of the wall towards the road. Since it was the Incas' practice to build with the walls leaning towards the interiors of the buildings, it has been deduced that the road, much narrower then, was built inside a succession of buildings. The road leads into the main plaza, where public transport congregates in the centre. The original Inca town is behind the north side of the plaza. The road from the northwest corner of the plaza looks up to the Inca temple, but to get there you have to cross the bridge over the river and go down to the colonial church with its
recinto
(enclosure). Beyond is a grand plaza (and car park) with a market and entrances to the archaeological site.
When Manco Inca decided to rebel against the Spaniards in 1536, he fell back to Ollantaytambo from Calca to stage one of the greatest acts of resistance to the
conquistadores
. Hernando Pizarro led his troops to the foot of the Inca's stronghold and, on seeing how well-manned and fortified the place was, described it as "a thing of horror". Under fierce fire, Pizarro's men failed to capture Manco and retreated to Cuzco, but Manco could not press home any
advantage. In 1537, feeling vulnerable to further attacks, he left Ollantaytambo for Vilcabamba.
When you visit Ollantaytambo you will be confronted by a series of 16 massive, stepped terraces of the very finest stonework, after crossing the great high-walled trapezoidal esplanade known as
Mañariki
. Beyond these imposing terraces lies the so-called
Temple of Ten Niches
, a funeral chamber once dedicated to the worship of Pachacútec's royal household. Immediately above this are six monolithic upright blocks of rose-coloured rhyolite, the remains of what is popularly called the
Temple of the Sun
. The dark grey stone is embellished today with bright orange lichen.
You can either descend by the route you came up, or follow the terracing round to the left (as you face the town) and work your way down to the
Valley of the Patacancha
. Here are more Inca ruins in the small area between the town and the temple fortress, behind the church. Most impressive is the
Baño de la Ñusta
(Bath of the Princess), a grey granite rock, about waist high, beneath which is the bath itself. The front of the boulder, over which the water falls, was delicately finished with a three-stepped pyramid, making a relief arch over the pool.
If you are visiting Ollantaytambo, begin your tour at
El Museo Catcco
(Centro Andino de Tecnología Tradicional y Cultural de las Comunidades de Ollantaytambo)
, www.catcco.org, which houses a fine ethnographical collection. Its information centre gives tips on day hikes, things to see and places to dine and stay. Local guides are available for tours of the town and surrounding areas. Outside the museum,
Catcco
runs non-profit cultural programmes, temporary exhibitions, concerts and lectures. Also on site is a ceramics workshop, a textile revitalization programme and an educational theatre project. Ceramics and textiles are sold in the museum shop. The museum has internet access. Note the canal down the middle of the street outside the museum.
A two-dimensional '
pyramid
' has been identified on the west side of the main ruins of Ollantaytambo. Its discoverers, Fernando and Edgar Elorietta, claim it is the real Pacaritambo, from where the four original Inca brothers emerged to found their empire (this alternative Inca creation myth, the Inn of Origin, tells of four brothers and four sisters emerging from a cave in a cliff). Whether this is the case or not, it is still a first-class piece of engineering with great terraced fields and a fine 750-m wall creating the optical illusion of a pyramid. The wall is aligned with the rays of the winter solstice, on 21 June. People gather at mid-winter dawn to watch this event. The mysterious 'pyramid', which covers 50 to 60 ha, can be seen properly from the other side of the river. This is a pleasant, easy one-hour walk, west from the Puente Inca, just outside the town. You'll also be rewarded with great views of the Sacred Valley and the river, with the snowy peaks of the Verónica massif as a backdrop.
The stone quarries of
Cachiccata
are some 9 km from Ollantaytambo. Standing to the left of the six monolithic blocks of the Temple of the Sun, you can see them, looking west-southwest across the valley. The stones that the Inca masons chose here had to be quarried, hewn into a rough shape and hauled across the valley floor and up to the temple by means of a ramp, which can still be seen. Between the ruins and the quarries more than 50 enormous stones that never reached their destination lie abandoned. They are known as the '
las piedras cansadas
', or 'the tired stones'. It takes about a day to walk to the Inca quarries on the opposite of the river and return to Ollantaytambo.
At
Pinkuylluna Hill
, on the western edge of Ollantaytambo, is an impressive collection of storehouses, or
qolqas
, sometimes referred to as prisons. It's a relatively straightforward climb up the mountain, although there are some difficult stretches. Allow two to three hours going up. The path is difficult to make out, so it's best not to go on your own.
This is edited copy from Footprint Handbooks. For comprehensive details (incl address, tel no, directions, opening times and prices) please refer to book or individual chapter PDF
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