Around Udaipur

The area around Udaipur is dotted with a wide range of attractions, from some of the grandest of Rajasthan's heritage hotels to some of its cosiest castles, from secluded forest lakes, surrounded by wildlife, to one of the largest reservoirs in Asia. It's also home to some ancient temples and perhaps the most evocative of Rajasthan's plentiful palaces, the Juna Mahal near Dungarpur.

Monsoon Palace

There are good views from this deserted palace on a hilltop. The unfinished building on
, at an altitude of 335 m, which looks picturesque from the
west-facing battlements, was named after Sajjan Singh (1874-1884) and was planned to be high enough to see his ancestral home, Chittaurgarh. Normally, you need a permit from the police in town to enter, though many find a tip to the gateman suffices. It offers panoramic views of Udaipur (though the highest roof is spoilt by radio antennas); the windows of the Lake Palace can be seen reflecting the setting sun. The palace itself is very run down but the views from the hill top are just as good. A visit in the late afternoon is recommended; take binoculars.

Jaisamand Lake

Before the building of huge modern dams in India, Jaisamand was the second largest artificial lake in Asia, 15 km by 10 km. Dating from the late 17th century, it is surrounded by the summer palaces of the Ranis of Udaipur. The two highest surrounding hills are topped by the
Hawa Mahal
Ruti Rani palaces
, now empty but worth visiting for the architecture and views. A small sanctuary nearby has deer, antelope and panther. Tribals still inhabit some islands on the lake while crocodiles, keelback water snakes and turtles bask on others.


The imposing 18th-century hilltop fortress of Bambora has been converted to a heritage hotel by the royal family of Sodawas at an enormous restoration cost yet retaining its ancient character. The impressive fort is in Mewari style with domes, turrets and arches. To get here from Udaipur, go 12 km east along the airport road and take the right turn towards Jaisamand Lake passing the 11th-century Jagat Temple (38 km) before reaching Bambora.

Sitamata Wildlife Sanctuary

The reserve of dense deciduous forests covers over 400 sq km and has extensive birdlife (woodpeckers, tree pies, blue jays, jungle fowl). It is one of the few sanctuaries between the Himalaya and the Nilgiris where giant brown flying squirrels have been reported. Visitors have seen hordes of langur monkey, nilgai in groups of six or seven, four-horned antelope, jackal and even panther and hyena, but the thick forests make sighting difficult. There are crocodiles in the reservoirs.


Rishabdeo, off the highway, has a remarkable 14th-century Jain temple with intricate white marble carving and black marble statuary, though these are not as fine as at Dilwara or Ranakpur. Dedicated to the first Jain Tirthankar, Adinath or Rishabdev, Hindus, Bhils as well as Jains worship there. An attractive bazaar street leads to the temple, which is rarely visited by tourists. Special worship is conducted several times daily when Adinath, regarded as the principal focus of worship, is bathed with saffron water or milk. The priests are friendly; a small donation (Rs 10-20) is appreciated.


Dungarpur (City of Hills) dates from the 13th century. The district is the main home of the Bhil tribal people . It is also renowned for its stone masons, who in recent years have been employed to build Hindu temples as far afield as London. The attractive and friendly village has one of the most richly decorated and best-preserved palaces in Rajasthan, the Juna Mahal. Surrounded on three sides by Lake Gaibsagar and backed by picturesque hills, the more recent
Udai Bilas Palace
(now a heritage hotel) was built by Maharawal Udai Singhji in the 19th century and extended in 1943. The huge courtyard surrounds a 'pleasure pool' from the centre of which rises a four-storeyed pavilion with a beautifully carved wooden chamber.

Juna Mahal
, above the village, dates from the 13th century when members of the Mewar clan at Chittaur moved south to found a new kingdom after a family split. It is open to guests staying at Udai Bilas and by ticket (Rs 150) for non-residents, obtainable at the hotel. The seven-storeyed fortress-like structure with turrets, narrow entrances and tiny windows has colourful and vibrant rooms profusely decorated over several centuries with miniature wall paintings (among the best in Rajasthan), and glass and mirror inlay work. There are some fine
balconies and sculpted panels illustrating musicians and dancers in the local green-grey parava stone which are strikingly set against the plain white walls of the palace to great effect. The steep narrow staircases lead to a series of seven floors giving access to public halls, supported on decorated columns, and to intimate private chambers. There is a jewel of a Sheesh Mahal and a cupboard in the Maharawal's bedroom on the top floor covered in miniatures illustrating some 50 scenes from the Kama Sutra. Windows and balconies open to the breeze command lovely views over the town below. Perhaps nowhere else in Rajasthan gives as good an impression of how these palaces must have been hundreds of years ago; it is completely unspoilt and hugely impressive.

Some interesting temples nearby include the 12th-century Siva temple at
Deo Somnath
, 12 km away, and the splendid complex of temple ruins profusely decorated with stone sculptures.


This small, attractive village is conveniently located midway between Udaipur and Chittaurgarh. To find it turn off the highway, 9 km south of Mavli and about 50 km from Udaipur. The main reason for visiting is to eat or stay in the charming heritage hotel.

Eklingji and Nagda

The white marble
Eklingji Temple
has a two-storey mandapa to Siva, the family deity of the Mewars. It dates from AD 734 but was rebuilt in the 15th century. There is a silver door and screen and a silver Nandi facing the black marble Siva. The evenings draw crowds of worshippers and few tourists. Many smaller temples surround the main one and are also worth seeing. Nearby is the large but simple
Lakulisa Temple
(972), and other ruined semi-submerged temples. The back-street shops sell miniature paintings . It is a peaceful spot attracting many waterbirds. Occasional buses go from Udaipur to Eklingji and Nagda which are set in a deep ravine containing the Eklingji Lake. The
run tours from Udaipur, 1400-1900.

At Nagda, are three temples: the ruined 11th-century Jain temple of
and the
Vaishnavite Sas-Bahu
(Mother-in-law/Daughter-in-law) temples. The complex, though comparatively small, has some very intricate carving on pillars, ceiling and mandapa walls. You can hire bicycles in Eklingji to visit them. There are four 14th-century Jain Temples at
about 5 km from Eklingji, which also boast the
Devi Garh
, one of India's most luxurious hotels.


This is a centre of the Krishna worshipping community of Gujarati merchants who are followers of Vallabhacharya (15th century). Non-Hindus are not allowed inside the temple, which contains a black marble Krishna image, but the outside has interesting paintings.
Shrinathji Temple
is one of the richest Hindu temples in India. At one time only high caste Hindus (Brahmins, Kshatriyas) were allowed inside, and the
(temple hangings) were placed outside, for those castes and communities who were not allowed into the sanctum sanctorum, to experience the events in the temple courtyard and learn about the life of lord Krishna. You can watch the 400-year-old tradition of
painting which originated here. The artists had accompanied the Maharana of Mewar, one of the few Rajput princes who still resisted the Mughals, who settled here when seeking refuge from Aurangzeb's attacks. Their carriage carrying the idol of Shrinathji was stuck at Nathdwara in Mewar, 60 km short of the capital Udaipur. Taking this as a sign that this was where God willed to have his home, they developed this into a pilgrim centre for the worship of lord Krishna's manifestation, Shrinathji. Their paintings,
, depict Lord Krishna as Shrinathji in different moods according to the season. The figures of lord Krishna and the
(milkmaids) are frozen on a backdrop of lush trees and deep skies. The bazaar sells
painted on homespun cloth with mineral and organic colour often fixed with starch.

Rajsamand Lake

is the Rajsamand Lake. The
Nauchoki Bund
, the embankment which contains it, is over 335 m long and 13 m high, with ornamental pavilions and
, all of marble and exquisitely carved. Behind the masonry bund is an 11-m-wide earthen embankment, erected in 1660 by Rana Raj Singh who had defeated Aurangzeb on several occasions. He also commissioned the longest inscription in the world, “Raj Prashasthi Maha Kavyam”, which tells the story of Mewar on 24 granite slabs in Sanskrit. Kankroli and its beautiful temple are on the southeast side of the lake.


Deogarh (Devgarh) is an excellent place to break journey between Udaipur and Jaipur or Pushkar. It is a very pleasant, little frequented town with a dusty but
interesting bazaar. Its elevation makes it relatively cool and the country- side and surrounding hills are good for gentle treks. There is an old fort on a hill as well as a magnificent palace on a hillock in the centre with murals illustrating the fine local school of miniature painting.
Raghosagar Lake
, which is very pleasant to walk around, has an island with a romantic ruined temple and centotaphs (poor monsoons leave the lake dry). It attracts numerous migratory birds and is an attractive setting for the charming 200-year-old palace,
Gokal Vilas
, the home of the present Rawat Saheb Nahar Singhji and the Ranisahiba. Their two sons have opened the renovated 17th-century
Deogarh Mahal Palace
to guests . The Rawat, a knowledgeable historian and art connoisseur, has a private collection of over 50 paintings which guests may view, advance notice required. The shop at the hotel has good modern examples to buy. There is plenty to do here including an excellent 45-minute train journey from Deogarh to Phulud which winds down through the Aravalli hills to the plain below through tunnels and bridges.

This is edited copy from Footprint Handbooks. For comprehensive details (incl address, tel no, directions, opening times and prices) please refer to book or individual chapter PDF
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